I am lazy, exhausted, and freaking out about a presentation I have to give next week AND the half-marathon that will be fueled entirely by adrenaline. So to procrastinate/take my mind off things, I’ve been scanning iTunes for music I’ve forgotten about or just haven’t listened to in a while.
Not too long ago, I read Joshua Allen’s determination that 2:42 is the perfect song length. Not a bad argument: he points out that the Mamas and Papas’ “California Dreamin’” and The Smiths’ “This Charming Man” both clock in at 2:42 (although in my iTunes, “This Charming Man” is 2:46. But he makes his point.).
So instead of a blog post, I give you a list of my music that is precisely 2:42. I don’t have all my CDs loaded into iTunes, but here’s what I’ve got, even the embarrassing stuff:
- “Will Tomorrow Ever Come,” Dance Hall Crashers
- “The Whiskey Ain’t Workin’ Anymore,” Travis Tritt
- “American Made,” Oak Ridge Boys
- “Felicia,” Quartet San Francisco
- “Emily Kane,” Art Brut
- “The Nights Are Made for Us,” Richard Hawley
- “The Real You,” Dance Hall Crashers
- “A Chicken With Its Head Cut Off,” The Magnetic Fields
- “Like a Rose,” Lucinda Williams
- “The Tigers Have Spoken,” Neko Case
- “You’re No Rock n’ Roll Fun,” Sleater-Kinney
- “Dreary, Dreary,” The Gothic Archies
- “Ojitos Traidores,” Los Super Seven
- “Tonight We’re Gonna Tear Down the Walls,” Randy Travis
- “Crows,” The Gothic Archies
- “Better Class of Losers,” Randy Travis
- “Leave the Biker,” Fountains of Wayne
- “Juanita,” Sheryl Crow and Emmylou Harris
- “Legal Man,” Belle & Sebastian
- “Lovely Rita,” The Beatles
- “How Blue,” Reba McEntire
- “Center of Gravity,” Yo La Tengo
- “Child of the Fifties,” Statler Brothers
- “Anymore,” that dog.
- “Pink Padded Slippers,” Blitzen Trapper
- “Counteraction,” Cornershop
- “Michelle,” The Beatles
- “Always Will,” Nanci Griffith
- “The Book of Love,” The Magnetic Fields
- “Murder Ballad,” Gorky’s Zygotic Mynci
- “Sol y Sombra,” Fugu
- “Sister in Love,” Envelopes
What do you have that’s 2:42?
* * *
current book: Oh God. I’m pages away from finishing Julia Alvarez’s How the Garcia Girls Lost Their Accents and Kavalier & Clay, which I really really really will read.
current music: The spectacular Jasper Rose Silbert Mix. Oh. I should maybe write something about that… stay tuned… I’m so tired right now it’s hard to type, but maybe tomorrow.
current socks: Today’s are white with red toes, heels, and polka dots, but yesterday’s are worth mentioning. They are my absolute favorites from The Sock Shop in London: stormy clouds, weather pattern arrows, and the words “wet & windy.” It was in fact quite wet and windy yesterday.





MAN… now I have that Sleater-Kinney song in my head!
I saw that article too and I’ve kinda started re-evaluating the songs that come up on my iPod based on it. So far the perfect songs in my iTunes–soundwise as well as lengthwise–include Vampire Weekend’s “Boston,” Winterpills’s “Broken Arm,” and Minus the Bear’s “Drop It Like It’s Hot.”
2:42 - Sittin’ On The Dock Of The Bay - Otis Redding
2:42 - The Most Beautiful Girl - Charlie Rich
2:42 - Why Don’t We Get Drunk - Jimmy Buffet
I think this shows that one major component is missing from the last few decades of popular music… editing!
My iTunes is clockin’ California Dreamin’ at 2:43, and strangely enough, I have absolutely nothing that clocks 2:42. Hrm.
“Seasons of Hype” - Forbidden Broadway
“Miami Thema A” - MahlenGoscht
“My Best Friends” - Pokemon
“Cooties” - Hairspray
“You Can Be As Loud As The Hell You Want (When You’re Makin’ Love)” - Avenue Q
“Cosmic Dust” - Phlogiston
“Pencil Rain” - They Might Be Giants
“Stay With Me” - Into The Woods
“The Nicest Kids In Town” - Hairspray
“Jafar’s Hour” - Aladdin
And only one of them is a song that I listen to regularly, that being The Nicest Kids in Town, from Hairspray.
However, clocking in at 2:43, there is the song Hair from the musical Hair, which I listen to nearly religiously. Clocking in at 2:40 are A Whole New World from Aladdin, Sting Operation by Anamanaguchi, and Activation Theme by Bit Shifter, all favorites of mine. 2:44 holds One Song Glory from the Broadway version of Rent, while 2:39 holds both the Theme from “Rawhide”, as performed by the Blues Brothers, and the acoustic version of The Legendary Theme, by COIL.
2:45 holds The Ballad of Czolgosz from the musical Assassins, as well as Video Challenge by Anamanaguchi.
I could keep going on, but that would simply be ridiculous.
There are 111 songs in my itunes that clock in at 2:42…only some are notable but it’s pretty cool. It kind of hurts the “perfect song” theory though, because my version of “This Charming Man” is at 2:43 and my “The Tigers Have Spoken” is 2:41 so if we can’t agree how long a song is, how can we know if it’s really perfect?
There She Goes - The La’s
Rome Wasn’t Built In A Day - Lowe, Nick
Pictures Of Lily - The Who
Slow West Vultures - The Mountain Goats
Iron Ore Betty - Prine, John
As Tears Go By - The Rolling Stones
Forever Blue - Isaak, Chris
They are the Meat - Residents
The Hardest Thing in the World - The Stone Roses
Christ for President - Billy Bragg & Wilco
The Day The Rains Came - Haggard, Merle
Don’t Do Me Like That - Petty, Tom
Breakdown - Petty, Tom
Nothin’ In The World Can Stop Me Worryin’ ‘Bout That Girl - The Kinks
All Across the Sands - The Stone Roses
(I’m Always Touched By Your) Presence, Dear - Blondie
Crosses - González, José
Wayfaring Stranger - 16 Horsepower
Looking For Love (In The Hall Of Mirrors) - 6ths
Climbing - Meat Puppets
Chain Gang - Cooke, Sam
A Well Respected Man - The Kinks
Average Man - Turin Brakes
Place To Be - Drake, Nick
Skinny Legs - Lovett, Lyle
Of these, I would only call “Chain Gang”, “As Tears Go By” and maybe “A Well Respected Man” close to perfection.
Oh well.